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| 게슈탈트(Gestalt)시지각 법칙에 관한 연구-영화포스터를 중심으로/6-20 | |||
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| 글쓴이 | 박일재 | 날 짜 | 2006-03-01 12:37:10 |
| 첨부파일 | 게슈탈트(Ges떠lt) 시지각 법칙에 관한 연구-박일재.pdf | ||
| 내용 | 게슈탈트(Gestalt)시지각 법칙에 관한 연구-영화포스터를 중심으로 박일재 조선대학교 ------------------------------------------------- Abstract For the Sake of the mediocrity of modern society complicated and sophisticated, adopted of psychology, the design has the components in common or as whole. The Gastalt psychology completed on the coming of the 20th century’s Psychology school, testifies the reaction of human mentality and beings applying to the design. The design applied by such psychology, escaping from the past estheticism, could be accounted for systematically and solve the organically. Accordingly, the creative process of design from the past is not the behavior caused from the vague inspiration, but only the common creativity caused by individual sight. However, the premature step of the Gestalt psychology had hard nut to crack in the way of thinking the theory. Which didn’t make designers show as much as they thought of exactly. The Gestalt psychology, disclosed by Wertheimer Based on Physics and psychology the rearms and system themselves refer to psychological consideration, so it was applied to the sphere of artistic psychology, which was amended and complemented by Metzger and Murch. The meaning of Gestalt, they pledge is a concept of entireness, lie., the whole is at the behind the combination of the part and part; the psychology based on such theory is the inclination of division into simplicity, equiblium, grouping, and figureGround. citing and applying movie poster, this theorγ should be analysised to its own "Gestaltung". Such analysis present a aspect of design on the basis of the systematism and could account for the installation of new source in design. |
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